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If I should fall behind The usual method for data communication within a converter is I2S or similar. But the residual noise generated by this coding system contains a large audio frequency component, effectively in the form of a square wave, superimposed on the digital data and whose amplitude increases as the digitally represented component's amplitude reduces. The result is an inherent background level of jitter, ultimately responsible for a clouding of the air and ambience information present in the original digital source. To avoid this limiting factor within the DAX Discrete, all internal data is communicated by our proprietary N-Code method which replaces I2S and moves all of the radiated frequency components of the data coding well away from the audio band. But just as I2S is a poor internal data communication system so the transmission of the combined clock and data between transport and dac by S/PDIF (RCA, BNC, Toslink) or AES/EBU (XLR) places limits on the ultimate sound quality achievable. ![]() The art of the interface If we say that DAX Discrete is capable of giving ridiculously good sound quality with standard S/PDIF or AES/EBU interfaces then, with ASL, it simply becomes sublime. Audio Synthesis Link, or ASL, is a dual-ST glass optical interface, available on both DAX Discrete models and retro-fittable into selected transports. ASL removes S/PDIF's data induced jitter and rewrites the rules of data recovery and thus the possible analogue resolution available from digital sources. With CD sources the improvement an ASL connection makes over S/PDIF is of similar character to the increased resolution witnessed when using 24/192 or DSD™ sources - simply amazing. ASL is fitted as standard on DAX Discrete Variable and is optional for DAX Discrete Basic. 1 2 3 4 5 6 7 Next > © 2010 Audio Synthesis |